#darrell taylor

[internetstuds]

Darrell Taylor

[feddy-34]

what exactly was the goal here

[blackmensuited]

[puretopia]

[darrys-laundry]

'been walking my mind to an easy time, my back turned towards the sun / lord knows when the cold wind blows it'll turn your head around'

james taylor 'fire and rain' → the outsiders musical

[whatsupmykentuckyfriedfuckers]

Just writing an Outsiders fic and listening to Queen. God this is great

[colorsunlikeanythingseen]

We all know the Wilson coat of arms is ‘We will talk about this later’ but what about the rest? I have a few suggestions.

Stampler: You are enough just as you are

Oak: We all have this thing inside us, this rage, and I don’t want to pass it on

Foster/Close/Freeman/Swift/Unworthy: the dead silence of absentee parenting and/or the predator high five

[livingbreathingrocknroll]

I love pinterest

[slightlyawkward]

Dungeons and Daddies characters and their theme song according to me:

Henry Oak - Breathe (in the air) by Pink Floyd

Sparrow Oak - Airhead by Honey Revenge

Lark Oak - I Was Just a Kid by Nothing But Thieves

Normal Oak - Are You Impressed by Honey Revenge

Darrell Wilson - Becoming the Bill by Atreyu

Grant Wilson - What If by SafetySuit

Lincoln Lee Wilson - From Heads Unworthy by Rise Against

Willy Stampler - Let You Down by Three Dats Grace

Ron Stampler - Used to the Darkness by Des Rocs

Terry Jr. - Ready to Fall by Rise Against

Scary Marlowe - Bugbear by Chloe Moriondo

Glen Close - What I Got by Sublime

Nick Foster/Close - Borderline by Tame Impala

Taylor Swift - Speaking Japanese by Shiny Toy Guns

Hermie Unworthy- Brick by Boring Brick by Paramore

[littlemermaidprobz]

My brother posts covers to YouTube and he's kind of good at it 👀👀 Check out his channel and subscribe if you like rock/metal/blues music!

[taxi-davis]

Star Trek Adventure (Universal Studios Hollywood, 1989, VHS) Audience Participation Show Recording

[internetstuds]

Darrell Taylor

[moviesandmania]

NIGHT SHOOT Woodlands terror - trailer and release news

‘Don’t turn off the camera’ Night Shoot is a 2024 horror film about a college documentary project that goes awry when a group of film students stumble on a strange, wooded homeless community… and slowly discover they’re the ones being watched. Written, directed and edited by Taylor Katsanis. Produced by Ryan Cavanaugh. Executive produced by Chaysen Beacham and David Josh Lawrence. The Operose…

[blackmensuited]

[snakeshreds]

To all the Taylor Swift fans and Pantera fans….. I had an idea

[krispyweiss]

Steep Canyon Rangers at Murphy Theatre, Wilmington, Ohio, July 22, 2023

Aaron Burdett took the stage at Wilmington, Ohio’s, Murphy Theatre to explain how, some 20 years earlier, the Steep Canyon Rangers began their career playing and singing around a single mic.

With that, Burdett’s fellow Rangers sauntered on to the dimly lit stage and began their second set with “Fare Thee Well, Carolina Girls” from their forthcoming, Darrell Scott-produced Morning Shift. The album marks Burdett’s recording debut with the band he joined one year ago, replacing founding guitarist/singer Woody Platt.

The Rangers’ intimate, five-song interlude was a respite from a balky sound system that plagued the 21-song, two-hour show with drums that were too loud and a band so quiet, lead players were buried in their bandmates’ accompaniment and/or drowned out by the enthusiastic, half-full house.

Burdett and the new songs aren’t the only things that are different about the post-pandemic Rangers. Masked fiddler Nicky Sanders has virtually abandoned his whirling-dervish stage persona and cedes more musical space to Barrett Smith (acoustic bass/guitar and vocals), Mike Guggino (mandolin, harmony vocals), Mike Ashworth (drums, Dobro and harmony vocals) and Graham Sharp, the baritone Ranger who played acoustic and electric banjo, acoustic guitar and harmonica and is the band’s on-stage leader among equals.

As always, virtuosic instrumentalists and impeccable vocalists, the new-look, lower-energy Rangers’ chemistry is still gelling, though Burdett - who sings his own compositions such as “Deep End” and Platt-fronted numbers like “Get Me out of this Town” - and Ashworth have developed an especially strong blend at the mic.

Poor sound and rebuilding notwithstanding, the Rangers on July 22 tapped into some of the old magic on the gospel soul of “Be Still Moses;” Sharp’s harmony-rich and balladic “Birds of Ohio,” making its on-stage debut; Smith’s coal-miners’ lament “Call the Captain;” and their sublime take on “Sweet Baby James.”

SCR’s ongoing de- and reconstruction was best represented at the encore, which jettisoned the formerly ubiquitous “Auden’s Train” in favor of the Traveling Wilburys’ “The End of the Line.”

Everything will work out fine, they sang.

Grade card: Steep Canyon Rangers at Murphy Theatre - 7/22/23 - B-

See more photos on Sound Bites’ Facebook page.

7/23/23